AMPED™ FEATURED ALBUM OF THE WEEK: COURTNEY HARTMAN & TAYLOR ASHTON/BEEN ON YOUR SIDE

Courtney Hartman and Taylor Ashton were already successful in their respective outfits before coming together as a duo. Hartman, the singer, songwriter and guitarist for Nashville-based Americana outfit Della Mae, met Canadian singer, songwriter and clawhammer banjo player Taylor Ashton when her band crossed paths with his band, Fish & Bird, while out on the road. The two began writing songs together and within four years, they decided that they had enough material for an album. Named after one of the first songs they wrote together, the duo is now releasing BEEN ON YOUR SIDE, their debut album as a duo. On paper, their collaboration may sound like a perfect match but, in reality, it is so much better than that. […]

By | August 31st, 2018|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: COURTNEY HARTMAN & TAYLOR ASHTON/BEEN ON YOUR SIDE

AMPED™ FEATURED ALBUM OF THE WEEK: MURDER BY DEATH/THE OTHER SHORE

Americana is a modern name for a genre that has existed for decades. Back in the day, many artists were too hard to categorize because they were too Rock for Country, too Country for Folk or too Folk for Rock (or a mix of the three). While many artists today remain difficult to pigeonhole, at least there is the term Americana, which acts as an umbrella genre for bands that fall outside the Country, Rock and Folk guidelines. However, for a band like Murder By Death, it is best to toss any genre label out the window and start from scratch. Yes, they certainly fit comfortably into the Americana genre but they can also be filed in Rock, Country and Folk just as easily. Their latest album, THE OTHER SHORE, is proof of that… […]

By | August 24th, 2018|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: MURDER BY DEATH/THE OTHER SHORE

THE VIBRATORS: ALBUMS 1979-85 reviewed!

Here in the U.S., veteran British Punk band The Vibrators are not held in the same high esteem as bands like The Clash, Sex Pistols, Buzzcocks, and a few other of their contemporaries. And I must say that is an oversight that must be corrected. Is it because they were too British? Were they too raw? Did they challenge the listener with stylistic changes to their core sound? Were they too Pop to Punk purists? So many questions, so few answers… […]

By | August 21st, 2018|News|Comments Off on THE VIBRATORS: ALBUMS 1979-85 reviewed!

THE CHANCELLOR reviews the 5CD box SAILOR: THE ALBUMS 1974-78

If you’ve never heard Sailor, then I feel pretty confident that you’ve never heard a band quite like Sailor.  One of the most unusual and original bands to emerge from the UK in the mid-‘70s, Sailor achieved great success in the UK, Holland and across Europe but never made much of a mark in the U.S. However, the band did attract the attention of American Rock and Pop legends like Bruce Johnston and Curt Boettcher (billed as Becher), both of whom produced their CHECKPOINT album. If you missed Sailor and their albums the first time around, 7Ts/Cherry Red Records is making it easy to catch up with a five CD set entitled SAILOR: THE ALBUMS 1974-78, a box that contains their first five albums including bonus tracks. Fans of band like 10cc, Deaf School, and City Boy should take note… […]

By | August 20th, 2018|News|Comments Off on THE CHANCELLOR reviews the 5CD box SAILOR: THE ALBUMS 1974-78

AMPED™ FEATURED ALBUM OF THE WEEK: JEFF LORBER FUSION/IMPACT

According to Wikipedia, Jazz Fusion is “a musical genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with Rock music, Funk, and Rhythm & Blues.” During the ‘70s, Fusion was often looked upon as music for ‘sophisticated’ listeners. Artists like Miles Davis, Weather Report, and Return To Forever sold plenty of records but seldom would you hear their music played in restaurants or department stores. However, by the end of the ‘70s, a change was a-comin’. Fusion was always a fluid genre so when certain artists began to take it in new directions, new ‘genres’ were born. Jazz Rock, Jazz Funk and Smooth Jazz were three of the most popular subgenres that emerged from Fusion’s womb. And this is where The Jeff Lorber Fusion (JLF) comes in… […]

By | August 17th, 2018|News, Uncategorized|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: JEFF LORBER FUSION/IMPACT

AMPED™ 2018 Issue 32 New Release Digital Magazine

New Releases From High Times Smoke Signals Jeremiah Johnson Chic L.A. Guns Murder By Death

By | August 13th, 2018|New Release Digital Magazine|Comments Off on AMPED™ 2018 Issue 32 New Release Digital Magazine

AMPED™ FEATURED ALBUM OF THE WEEK: ROBBIE FULKS & LINDA GAIL LEWIS/WILD! WILD! WILD!

Why on earth didn’t anyone think of this sooner? While a collaboration between Robbie Fulks and Linda Gail Lewis may now make perfect sense, it took a hell of a long time for someone to figure it out. And the timing couldn’t be more perfect – the world has been waiting for a new dynamic duo and they’ve finally arrived. Like a musical time capsule that reaches all the way back to the mid-‘50s, Robbie and Linda’s 2018 album WILD! WILD! WILD! is everything the title of the album suggests… and a whole lot more. From Country & Western to Rockabilly, this is an album created by and artist who was influenced by it (Fulks) and an artist that lived through it (Lewis). […]

By | August 10th, 2018|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: ROBBIE FULKS & LINDA GAIL LEWIS/WILD! WILD! WILD!

AMPED™ 2018 Issue 31 New Release Digital Magazine

New Releases From Jeff Lorber Fusion The Oh Sees Chuck Brown The Limeliters Jeremiah Jae

By | August 3rd, 2018|New Release Digital Magazine|Comments Off on AMPED™ 2018 Issue 31 New Release Digital Magazine

AMPED™ 2018 Issue 30 New Release Digital Magazine

New Releases From Robbie Fulks & Linda Gail Lewis Jake Shears Haruomi Hosono Pope Francis The Damned

By | August 3rd, 2018|New Release Digital Magazine|Comments Off on AMPED™ 2018 Issue 30 New Release Digital Magazine

AMPED™ FEATURED ALBUM OF THE WEEK: TROPHY EYES/THE AMERICAN DREAM

Australia has always been a country that takes influences from the U.S. and UK, blending them together and creating something new and interesting.  This phenomenon has been happening for decades – most successfully in the ‘80s – and definitely sets bands Down Under apart from their American and British counterparts. Newcastle’s Trophy Eyes is no exception. Signed to Hopeless Records, the Punk-fueled Aussies fuse Punk-Pop, Emo, and Hard Rock together, sprinkling their musical confections with just the right amount of catchy hooks. The melodies soar, the powerhouse rhythm section pounds and the guitars slash and burn. While this might not be your grandad’s Punk Rock, it certainly checks all the boxes that inspired your older brother. […]

By | August 3rd, 2018|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: TROPHY EYES/THE AMERICAN DREAM