THE ADVENTURES’ The Sea Of Love (Expanded Edition) reviewed!

The Adventures rose like a phoenix from the ashes of Irish Punk/New Wave band Starjets. Vocalist Terry Sharpe and latter-day guitarist Pat Gribben formed the Pop-oriented outfit (along with Pat’s wife Eileen, Spud Murphy, Tony Ayre and Paul Crowder) and released their debut album in 1985. Depending on which country you were in, the album was called THEODORE AND FRIENDS (in the UK and Europe) or THE ADVENTURES (in the U.S.). While essentially the same album, each version featured different mixes of the core tracks (“Send My Heart,” “Another Silent Day”, etc.) and different artwork. The album’s shimmering, glossy production accented Gribben’s melodic flair and Sharpe’s vocals. The addition of Eileen’s vocals added a nice depth to the harmonies, of which there were plenty on display. While the album received good reviews and they earned significant airplay on both sides of the pond, The Adventures didn’t achieve the success they so richly deserved.

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By |April 3rd, 2017|News|Comments Off on THE ADVENTURES’ The Sea Of Love (Expanded Edition) reviewed!

THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

GOOD VIBRATIONS:
 

Like any genre, Punk was never about just one ‘thing’ – it was a movement made up of many moving parts. Behind the torn jeans, mohawks, leather jackets and missing teeth (thanks, mosh pits), Punk was first and foremost about the music. Initially, a reaction against the overblown pomp of Progressive Rock and Disco (and any other musical movement that the Punk kids deemed pretentious and worthy of a kick in the gonads), Punk became the most influential movement in Rock history since Elvis had his crown stolen by The Beatles in 1964. In 1976, Punk Rock scared people. However, it wasn’t meant to destroy and move on – Punk was about taking Rock back to ground zero and rebuilding it from the ground up. Punk stole the blueprint from Chuck Berry’s safe and brought Rock ‘n’ Roll back to its basic foundation. Sex Pistols was the first band to gain international notoriety, but the whole of England was soon swarming with equally important bands like The Clash, Buzzcocks, The Jam, The Damned, et al. It was a beautiful thing. These bands knew how to write a cracking tune and that is why they are still remembered 40 years after Punk broke wide open.

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By |March 28th, 2017|News, Uncategorized|Comments Off on THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

An EXCLUSIVE interview with STEEL PANTHER’s Stix Zadinia!

Steel Panther’s LOWER THE BAR
is the Heavy Metal equivalent to
Beyonce’s LEMONADE:

By
Beau Knurr

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By |March 10th, 2017|News|Comments Off on An EXCLUSIVE interview with STEEL PANTHER’s Stix Zadinia!

GOLDEN EARRING: An EXCLUSIVE interview with Barry Hay!

WHEN THE BULLET HITS THE BOX:

For over fifty years, Golden Earring has been Holland’s greatest Rock band, yet they have only scored two bona-fide hits in the U.S.: “Radar Love” (1973) and “Twilight Zone” (1982). While they’ve managed to maintain their popularity in other European countries, their unique brand of Rock ‘n’ Roll has largely been overlooked by American audiences. Their career trajectory closely followed that of the similarly-fated iconic UK rock band Status Quo: from flowery Psych Rock band in the ‘60s to Rock titans in the ‘70s (and beyond). However, the band has remained virtually intact throughout their entire career, in this way echoing the longevity of The Rolling Stones. These comparisons aside, Golden Earring has always done things their way. Staying largely out of the spotlight in the U.S. has allowed the band to travel their own path and create music without having to cater to the American market like so many other bands have been forced to do. Ironically enough, the music that these four gents create (Barry Hay, George Kooymans, Cesar Ziderwijk and Rinus Gerritsen) has always been exactly what America needs. Pure, honest Rock ‘n’ Roll that acknowledges but never gives in to current trends.

Those that are only familiar with their two American hits will be surprised to find out Golden Earring has released twenty-six studio albums alongside nearly a dozen live albums, as well as several compilations for those who only want to hear the hits. The four members of Golden Earring celebrate their huge catalog by playing all the favorites to their adoring fans, yet they seldom take the time to celebrate the many milestones that have paved their road to success. Although they are currently acknowledging their Silver Anniversary by hitting the road (again) this year, the band did not intend to put together yet another hit collection to commemorate the occasion. Instead, their record company worked behind the scenes and put together the ultimate tribute to the band: a twenty-nine CD box entitled THE COMPLETE STUDIO RECORDINGS, a glorious set that contains all twenty-six studio albums plus three CDs of non-album tracks. An absolutely astounding set, this release is an important part of Rock ‘n’ Roll history. Forget about biographies, Wikipedia entries or magazine articles. This box tells the real story of Golden Earring in the most honest and passionate way – through their music. Listen to it and weep, because it doesn’t get much better than this.

Stephen SPAZ Schnee was able to chat with Barry Hay, who graciously took time out of his busy schedule to discuss the release of the box and other things Golden Earring-related…

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By |March 8th, 2017|News|Comments Off on GOLDEN EARRING: An EXCLUSIVE interview with Barry Hay!

COLIN HAY/Fierce Mercy reviewed

Colin Hay is a rarity in the world of Rock ‘n’ Roll. He achieved great success out of the gate 35 years ago while leader of Men At Work (“Who Can It Be Now?,” “Down Under,” “Overkill”) but had to pursue a career as a solo artist once the band split in ’86. In 1987, he ventured out as Colin James Hay with the LOOKING FOR JACK album but struggled to maintain success. Next came the Colin Hay Band’s 1990 album WAYFARING SONS, which didn’t fare any better. In 1992, he released PEAKS & VALLEYS, the first in a series of solo albums that would slowly rebuild his career from scratch. Now, three and one-half decades after hitting #1 with Men At Work’s BUSINESS AS USUAL album, Hay is at his peak as a songwriter and vocalist and he shows no signs of slowing down. FIERCE MERCY is proof that he is one of this generation’s finest songwriters. While his hits with Men At Work may have been more ‘immediate’ on first listen, his songwriting is deeper, more passionate and better than ever on this 2017 album. Like his last release, 2015’s NEXT YEAR PEOPLE, this is an album filled with songs that are warm, intimate and emotional. Whether he is singing from experience or as an observer, Hay always connects with the subject matter and it all sounds so personal, which adds to the songs’ power. Lead-in track “Come Tumbling Down” is a sing-a-long that prepares you for the roller-coaster ride of emotions that weave in and out of the rest of the album. “A Thousand Million Reasons,” “The Best In Me,” “The Last To Know” and “Secret Love” are some of the best songs that Hay has ever written or co-written (with Michael Georgiades and others). “Two Friends” (written by Georgiades) features one of Hay’s finest vocal performances to date. Never one to live in his past, Colin Hay has creatively risen above his previous success and recorded what could be his finest musical work to date. Again, Colin Hay has proven that he leaves pretty much all of his contemporaries in the dust. FIERCE MERCY is a lovely, heartfelt album that will stand the test of time. If you stopped listening after the CARGO album, you’ve got a lot of catching up to do!

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By |February 23rd, 2017|News|Comments Off on COLIN HAY/Fierce Mercy reviewed

MENTAL AS ANYTHING: 40th Anniversary releases on Edsel Records

I honestly have no idea why Mental As Anything – the Australian Rock quintet – are not superstars. And if not superstars, they should at least be a huge cult band beloved by music fans around the world. Or, at the very least, adored by fans of classic Pop acts like Nick Lowe, Squeeze, Elvis Costello, etc. Now that the Mentals are just about to celebrate their 40th Anniversary in 2017, it’s about time that the world started paying a lot more attention to them. They are truly one of the finest bands to emerge from Down Under in the last… err… 40+ years! Their blend of rootsy Rock and melodic Pop places them firmly between Nick Lowe’s side of Rockpile and Squeeze circa ’79 to ’81. The Mentals’ quirky sense of humor also fits that same comparison. However, the band were/are their own ‘thing’ and comparing them to other artists is ultimately unfair. While their music is filled with liberal nods to Rock ‘n’ Roll’s past, they don’t sound like any other band, past or present. Sure, you can hear their influences but it is hard to pinpoint any particular artist that may have inspired them along the way. Mental As Anything are true originals. They evolved over the years, adding more elements into their sound but they have never deviated too far from the sound that put them on the Oz map.

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By |December 14th, 2016|News|Comments Off on MENTAL AS ANYTHING: 40th Anniversary releases on Edsel Records

PLASTICLAND reissues on Wounded Bird Records!

Milwaukee’s Plasticland – founded by Glenn Rehse and John Frankovic (who has since left the band) – have remained unjustly overlooked for years… yet they have also been absolutely adored by critics off and on since they first formed some 36 years ago. The band has managed to stay on the fringe of the Alternative Rock scene but have never been fully treated like the Psych-Rock/Garage icons that they are. And I’m sure this review isn’t going to inspire a mass pilgrimage to the record store but if it piques the interest of a few of you, then we’re getting somewhere! Even though they signed to the esteemed Enigma Records in 1984, Plasticland couldn’t be bothered to cater to the mainstream. Their blend of Acid, Garage and Psych Rock wasn’t merely a tribute to the sounds that they loved – it was obvious that this music was part of their DNA. The band was capable of writing catchy songs with a built-in atmosphere that sounded both retro and modern at the same time. Perhaps that is why their recordings remain timeless today. Plasticland are to Psyche what The Fleshtones are to Frat/Garage Rock and The Cramps are to sweaty, swampy, primitive Rock ‘n’ Roll. They could have sold out in their early days and become ‘the new R.E.M.’ like a host of their contemporaries. Thankfully, they chose to stick to their guns and remain Plasticland.

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By |December 14th, 2016|News|Comments Off on PLASTICLAND reissues on Wounded Bird Records!

PEGGY LEE/Let’s Love reissue reviewed!

Peggy Lee had been a successful jazz vocalist for 33 years before she went into the studio to cut LET’S LOVE for Atlantic Records in 1974. With a career dating back to 1941, Peggy was still a respected jazz vocalist even though her albums weren’t selling as well as they once had. When Capitol Records dropped her in 1972 after 15 years of continuous service (2-3 albums per year), some may have thought that Lee […]

By |December 14th, 2016|News|Comments Off on PEGGY LEE/Let’s Love reissue reviewed!

THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

ONCE UPON A TIME IN THE WEST(WORLD):

As the leader of British outfit The Pack, singer, songwriter and guitarist Kirk Brandon’s unique musical vision was far too adventurous to be constrained by the limits of Punk Rock so he folded that band and moved forward with new ideas. By 1980, he had formed Theatre Of Hate, which included bassist Stan Stammers, saxophonist John Lennard, guitarist Steve Guthrie and drummer Luke Rendle. During their first two years of existence, the band released a few studio singles as well as a live album, HE WHO DARES WINS. By the time the band entered the studio to work on their debut full length, Guthrie had departed and Brandon took over all guitar duties. With The Clash’s Mick Jones in the producer’s chair, TOH began work on what would become a milestone in Post Punk history – WESTWORLD! With a mix of tribal rhythms, Spaghetti Western riffs, Post Punk guitar slashing and Brandon’s passionate wailing, Theatre Of Hate was a band unlike any other. While the band was known for their live performances, they took on a different form in the studio. Pre-dating his Big Audio Dynamite recordings, Mick Jones brought a lot of his experimental ideas to the sessions, which worked extremely well with Brandon’s vision. The end result is still being talked about today…
While TOH folded in 1983 – making way for Kirk’s next project, Spear Of Destiny – their musical legacy lives on. The band has reformed with various line-ups over the years and are now making waves again with both a new album (KINSHI) and a deluxe three CD edition of WESTWORLD. This excellent reissue on Cherry Red includes a remastered version of the album alongside non-album singles, Peel Sessions, alternate mixes and a live concert taped during the WESTWORLD tour. Still sounding fresh and invigorating, this expanded edition is the definitive version of an album that helped pioneer Post Punk in the UK.
Stephen SPAZ Schnee sent off a few questions to Kirk Brandon, who was gracious enough to take the time to respond…

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By |November 17th, 2016|News|Comments Off on THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

DAVID LINDLEY reissues on Wounded Bird Records!

For 50 years, David Lindley has been one of the most respected – and commercially overlooked – musicians in Rock music. Sure, he made a name for himself with the completely original Psych outfit Kaleidoscope back in the ‘60s and he has been one of the most in-demand session musicians since the ‘70s (Jackson Browne, Warren Zevon, Rod Stewart, Graham Nash, The Youngbloods, Bruce Springsteen, Rickie Lee Jones, etc.) yet he has never received his due as a solo artist. However, his output has been so eclectic over the years that some of us are still trying to catch up! Do yourself a favor and read up on his career on Wikipedia or elsewhere on the ‘net. For now, I’m going to focus on a few of his ‘80s solo releases…

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By |November 9th, 2016|News|Comments Off on DAVID LINDLEY reissues on Wounded Bird Records!