AMPED™ FEATURED ALBUM OF THE WEEK: BOB MOULD/SUNSHINE ROCK

Forty years ago, a Rock artist’s longevity was not something that was guaranteed. The first Rock ‘n’ Roll boom of the ‘50s had been swallowed by the late ‘50s/early ‘60s teen idols. Then those heart throbs were dethroned by the British Invasion. That joyful racket was overcome by the Summer Of Love/Hippy scene of 1967. And so on… Like any industry, the new kids were constantly replacing the old guard, who would then reluctantly slip into the shadows and wait for nostalgia to make them momentarily relevant again. The four Beatles (among others) made it work but a lot of their contemporaries had been left behind, lost in a time warp and destined to play the oldies circuit for the rest of their careers. By 1979, artists and the industry were more understanding when it came to making hit records and extending an artist’s career. However, the Punk movement was initially viewed as a novelty by the bigwigs and while the industry capitalized on Punk’s commercial appeal, they certainly didn’t expect any of the artists to last beyond a two or three-year window, just like any other musical movement that came along since the days of Buddy Holly and Elvis Presley. Over time, we have learned that nearly every artist from every genre was capable of something much more than their “15 minutes of fame”. As for the unruly Punk kids, Bob Mould was going to break the mold (semi-pun intended)… […]

By | February 8th, 2019|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: BOB MOULD/SUNSHINE ROCK

THE VIBRATORS: ALBUMS 1979-85 reviewed!

Here in the U.S., veteran British Punk band The Vibrators are not held in the same high esteem as bands like The Clash, Sex Pistols, Buzzcocks, and a few other of their contemporaries. And I must say that is an oversight that must be corrected. Is it because they were too British? Were they too raw? Did they challenge the listener with stylistic changes to their core sound? Were they too Pop to Punk purists? So many questions, so few answers… […]

By | August 21st, 2018|News|Comments Off on THE VIBRATORS: ALBUMS 1979-85 reviewed!

AMPED™ FEATURED ALBUM OF THE WEEK: TROPHY EYES/THE AMERICAN DREAM

Australia has always been a country that takes influences from the U.S. and UK, blending them together and creating something new and interesting.  This phenomenon has been happening for decades – most successfully in the ‘80s – and definitely sets bands Down Under apart from their American and British counterparts. Newcastle’s Trophy Eyes is no exception. Signed to Hopeless Records, the Punk-fueled Aussies fuse Punk-Pop, Emo, and Hard Rock together, sprinkling their musical confections with just the right amount of catchy hooks. The melodies soar, the powerhouse rhythm section pounds and the guitars slash and burn. While this might not be your grandad’s Punk Rock, it certainly checks all the boxes that inspired your older brother. […]

By | August 3rd, 2018|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: TROPHY EYES/THE AMERICAN DREAM

999/The Albums 1977- 80 (4CDs) reviewed by THE CHANCELLOR

When talking about the original late ‘70s UK Punk scene, 999 seem to be one of the most overlooked bands of the era. Sex Pistols, The Clash, The Damned, Buzzcocks, The Jam, and The Stranglers are usually the bands that many folks think of first when praising the virtues of Punk and how it levelled and changed the musical landscape. While those bands grabbed the headlines, there were plenty of equally-worthy bands that deserved fame and fortune. As you would probably guess, 999 was one of those bands. 999 made music fueled by Punk yet firmly rooted in classic Rock ‘n’ Roll. The music they recorded may have been born during the Punk era but 40 years later, it remains timeless and essential.  If you need proof of that statement, Captain Oi/Cherry Red’s four CD box set THE ALBUMS 1977-80 is exactly what you need to make you believe. Again. […]

By | June 19th, 2018|News|Comments Off on 999/The Albums 1977- 80 (4CDs) reviewed by THE CHANCELLOR

ANGELIC UPSTARTS: The Albums 1979-82 (5CD box) reviewed by The Chancellor

Somebody once told me that I should stop writing about Punk Rock. He said that I don’t ‘understand’ Punk and I should stick to writing about New Wave and other genres of music. I beg to differ. While I may not know enough about the politics that inspired the lyrics of various bands I listen to, I certainly understand my connection to the energy, the songwriting and the performances. In the late ‘70s and early ‘80s, I devoured as much British and American Punk as I could. While The Clash, The Jam, 999, Buzzcocks, The Stranglers, The Undertones, Sex Pistols and others had songs that were instantly melodic and catchy, there were certain bands that took a few extra spins to connect with. Angelic Upstarts were one of those bands. […]

By | June 4th, 2018|News|Comments Off on ANGELIC UPSTARTS: The Albums 1979-82 (5CD box) reviewed by The Chancellor

AMPED™ FEATURED ALBUM OF THE WEEK: MOOSE BLOOD/I DON’T THINK I CAN DO THIS ANYMORE

Just when you thought that Emo was out, Moose Blood pulls you back in.   […]

By | March 9th, 2018|News|Comments Off on AMPED™ FEATURED ALBUM OF THE WEEK: MOOSE BLOOD/I DON’T THINK I CAN DO THIS ANYMORE

THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

GOOD VIBRATIONS:   Like any genre, Punk was never about just one ‘thing’ – it was a movement made up of many moving parts. Behind the torn jeans, mohawks, leather jackets and missing teeth (thanks, mosh pits), Punk was first and foremost about the music. Initially, a reaction against the overblown pomp of Progressive Rock and Disco (and any other musical movement that the Punk kids deemed pretentious and worthy of a kick in the gonads), Punk became the most influential movement in Rock history since Elvis had his crown stolen by The Beatles in 1964. In 1976, Punk Rock scared people. However, it wasn’t meant to destroy and move on – Punk was about taking Rock back to ground zero and rebuilding it from the ground up. Punk stole the blueprint from Chuck Berry’s safe and brought Rock ‘n’ Roll back to its basic foundation. Sex Pistols was the first band to gain international notoriety, but the whole of England was soon swarming with equally important bands like The Clash, Buzzcocks, The Jam, The Damned, et al. It was a beautiful thing. These bands knew how to write a cracking tune and that is why they are still remembered 40 years after Punk broke wide open. […]

By | March 28th, 2017|News, Uncategorized|Comments Off on THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

ONCE UPON A TIME IN THE WEST(WORLD): As the leader of British outfit The Pack, singer, songwriter and guitarist Kirk Brandon’s unique musical vision was far too adventurous to be constrained by the limits of Punk Rock so he folded that band and moved forward with new ideas. By 1980, he had formed Theatre Of Hate, which included bassist Stan Stammers, saxophonist John Lennard, guitarist Steve Guthrie and drummer Luke Rendle. During their first two years of existence, the band released a few studio singles as well as a live album, HE WHO DARES WINS. By the time the band entered the studio to work on their debut full length, Guthrie had departed and Brandon took over all guitar duties. With The Clash’s Mick Jones in the producer’s chair, TOH began work on what would become a milestone in Post Punk history – WESTWORLD! With a mix of tribal rhythms, Spaghetti Western riffs, Post Punk guitar slashing and Brandon’s passionate wailing, Theatre Of Hate was a band unlike any other. While the band was known for their live performances, they took on a different form in the studio. Pre-dating his Big Audio Dynamite recordings, Mick Jones brought a lot of his experimental ideas to the sessions, which worked extremely well with Brandon’s vision. The end result is still being talked about today… While TOH folded in 1983 – making way for Kirk’s next project, Spear Of Destiny – their musical legacy lives on. The band has reformed with various line-ups over the years and are now making waves again with both a new album (KINSHI) and a deluxe three CD edition of WESTWORLD. This excellent reissue on Cherry Red includes a remastered version of the album alongside non-album singles, Peel Sessions, alternate mixes and a live concert taped during the WESTWORLD tour. Still sounding fresh and invigorating, this expanded edition is the definitive version of an album that helped pioneer Post Punk in the UK. Stephen SPAZ Schnee sent off a few questions to Kirk Brandon, who was gracious enough to take the time to respond… […]

By | November 17th, 2016|News|Comments Off on THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

Watch exclusive Raise Hell Music Video

Watch Raise Hell's "Six Feet Under" music video off upcoming new album Written In Blood. https://www.youtube.com/watch?v=vZQcCCFyIPE

By | July 8th, 2015|News|Comments Off on Watch exclusive Raise Hell Music Video

An EXCLUSIVE interview with UK SUBS’ Charlie Harper

Rebellion Songs: An EXCLUSIVE interview with U.K. SUBS’ Charlie Harper By Stephen SPAZ Schnee ... The seeds of the Punk movement were planted in the late ‘60s and took root in New York in the mid-‘70s. But Punk didn’t really blossom until it hit the UK in ’76. By breaking Rock ‘n’ Roll down to its raw and raucous foundation, Punk brought life to the spirit of Rock. Just like Frankenstein’s monster, this new, energetic and [...]

By | June 17th, 2015|News|Comments Off on An EXCLUSIVE interview with UK SUBS’ Charlie Harper