ERIC STEWART: An EXCLUSIVE interview with the former 10cc member and Rock icon!

A SILLY PHASE I’M GOING THROUGH:

     It is quite possible that you have something by Eric Stewart in your music collection at this very moment without even realizing it. Eric was a member of Wayne Fontana & The Mindbenders, eventually singing lead on their 1966 hit “Groovy Kind Of Love” after Fontana had left the fold. By 1969, with the Mindbenders in his rear view mirror, Stewart was recording backing tracks for Bubblegum hits at his Strawberry Studios facilities. His recording mates included hit songwriter Graham Gouldman and multi-instrumentalists Lol Creme and Kevin Godley. In 1970, Stewart, Creme and Godley released the surprise hit “Neanderthal Man” under the group name Hotlegs. Two years later, American singer/songwriter Neil Sedaka arrived in the UK in hopes of recording new material and making a comeback. His backing band featured Stewart, Gouldman, Godley and Creme. Sedaka and this quartet of talented musicians recorded two albums together, both directly responsible for the enormous success that Sedaka and 10cc would achieve within a few short years.

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By |October 11th, 2017|News|Comments Off on ERIC STEWART: An EXCLUSIVE interview with the former 10cc member and Rock icon!

BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

     It has been 33 years since Bronski Beat arrived on the music scene with their remarkably emotional debut single “Smalltown Boy.” Jimmy Somerville’s soaring falsetto was quite a wonder to behold but the music performed by Steve Bronski and Larry Steinbachek was equally enthralling. Equally enchanting, the band’s debut album THE AGE OF CONSENT was Synthpop at it’s finest. Inspired by classic Disco and the Electronic Music scene that was sweeping the UK, the trio blended their influences into a wondrous brew. Add in their thought-provoking lyrics that focused on gay-related issues and you had a band that not only made you dance but also made you think. Surprisingly, in 1985, at the height of the band’s popularity, Somerville abruptly quit, leaving Bronski and Steinbachek to carry on without him. The following year, the band returned with new vocalist John Foster and released the Pop-errific sophomore album TRUTHDARE DOUBLEDARE. Although “Hit That Perfect Beat” and “C’mon! C’mon!” were hits, the album didn’t fare as well as their debut and the band left their label (London Records). Foster left the fold and Bronski and Steinbachek’s continued to work together throughout the rest of the ‘80s and into the ‘90s. They released their third album, RAINBOW NATION, with new vocalist Jonathan Hellyer and additional musical assistance from Ian Donaldson. However, the band quietly split in 1995 shortly after that album’s release.

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By |August 11th, 2017|News|Comments Off on BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

TODD RUNDGREN: An EXCLUSIVE interview!


LET’S DO THIS:
Todd Rundgren talks about WHITE KNIGHT

     Todd Rundgren needs no introduction. His ‘legendary’/‘iconic’ status is  well-deserved. End of story.
     WHITE KNIGHT, Todd’s 2017 release,  finds Rundgren continuing to move forward, but this time he’s brought a few of  his musical friends with him. While technically an album of collaborations, WHITE  KNIGHT is most certainly not a ‘duets’ album… in the traditional sense,  anyway. Every guest on the album – including Daryl Hall, Robyn, Donald Fagen (Steely Dan), Joe Walsh,  Trent Reznor, Joe Satriani, Moe Berg (The
Pursuit Of Happiness), John Boutte and  others – brings their own personality to the party, making each track feel  different from the last. While Rundgren may be the name on the album cover, he  allows every collaborator to make their presence known. Totally modern and  relevant, WHITE KNIGHT still features Todd’s distinct musical thumbprint  and is a pleasure from start to finish.
     Stephen SPAZ Schnee was able to track Todd  down while on tour and have a chat about WHITE KNIGHT and the magic behind  it… […]

By |May 22nd, 2017|News, Uncategorized|Comments Off on TODD RUNDGREN: An EXCLUSIVE interview!

THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

GOOD VIBRATIONS:
 

Like any genre, Punk was never about just one ‘thing’ – it was a movement made up of many moving parts. Behind the torn jeans, mohawks, leather jackets and missing teeth (thanks, mosh pits), Punk was first and foremost about the music. Initially, a reaction against the overblown pomp of Progressive Rock and Disco (and any other musical movement that the Punk kids deemed pretentious and worthy of a kick in the gonads), Punk became the most influential movement in Rock history since Elvis had his crown stolen by The Beatles in 1964. In 1976, Punk Rock scared people. However, it wasn’t meant to destroy and move on – Punk was about taking Rock back to ground zero and rebuilding it from the ground up. Punk stole the blueprint from Chuck Berry’s safe and brought Rock ‘n’ Roll back to its basic foundation. Sex Pistols was the first band to gain international notoriety, but the whole of England was soon swarming with equally important bands like The Clash, Buzzcocks, The Jam, The Damned, et al. It was a beautiful thing. These bands knew how to write a cracking tune and that is why they are still remembered 40 years after Punk broke wide open.

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By |March 28th, 2017|News, Uncategorized|Comments Off on THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

An EXCLUSIVE interview with STEEL PANTHER’s Stix Zadinia!

Steel Panther’s LOWER THE BAR
is the Heavy Metal equivalent to
Beyonce’s LEMONADE:

By
Beau Knurr

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By |March 10th, 2017|News|Comments Off on An EXCLUSIVE interview with STEEL PANTHER’s Stix Zadinia!

GOLDEN EARRING: An EXCLUSIVE interview with Barry Hay!

WHEN THE BULLET HITS THE BOX:

For over fifty years, Golden Earring has been Holland’s greatest Rock band, yet they have only scored two bona-fide hits in the U.S.: “Radar Love” (1973) and “Twilight Zone” (1982). While they’ve managed to maintain their popularity in other European countries, their unique brand of Rock ‘n’ Roll has largely been overlooked by American audiences. Their career trajectory closely followed that of the similarly-fated iconic UK rock band Status Quo: from flowery Psych Rock band in the ‘60s to Rock titans in the ‘70s (and beyond). However, the band has remained virtually intact throughout their entire career, in this way echoing the longevity of The Rolling Stones. These comparisons aside, Golden Earring has always done things their way. Staying largely out of the spotlight in the U.S. has allowed the band to travel their own path and create music without having to cater to the American market like so many other bands have been forced to do. Ironically enough, the music that these four gents create (Barry Hay, George Kooymans, Cesar Ziderwijk and Rinus Gerritsen) has always been exactly what America needs. Pure, honest Rock ‘n’ Roll that acknowledges but never gives in to current trends.

Those that are only familiar with their two American hits will be surprised to find out Golden Earring has released twenty-six studio albums alongside nearly a dozen live albums, as well as several compilations for those who only want to hear the hits. The four members of Golden Earring celebrate their huge catalog by playing all the favorites to their adoring fans, yet they seldom take the time to celebrate the many milestones that have paved their road to success. Although they are currently acknowledging their Silver Anniversary by hitting the road (again) this year, the band did not intend to put together yet another hit collection to commemorate the occasion. Instead, their record company worked behind the scenes and put together the ultimate tribute to the band: a twenty-nine CD box entitled THE COMPLETE STUDIO RECORDINGS, a glorious set that contains all twenty-six studio albums plus three CDs of non-album tracks. An absolutely astounding set, this release is an important part of Rock ‘n’ Roll history. Forget about biographies, Wikipedia entries or magazine articles. This box tells the real story of Golden Earring in the most honest and passionate way – through their music. Listen to it and weep, because it doesn’t get much better than this.

Stephen SPAZ Schnee was able to chat with Barry Hay, who graciously took time out of his busy schedule to discuss the release of the box and other things Golden Earring-related…

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By |March 8th, 2017|News|Comments Off on GOLDEN EARRING: An EXCLUSIVE interview with Barry Hay!

THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

ONCE UPON A TIME IN THE WEST(WORLD):

As the leader of British outfit The Pack, singer, songwriter and guitarist Kirk Brandon’s unique musical vision was far too adventurous to be constrained by the limits of Punk Rock so he folded that band and moved forward with new ideas. By 1980, he had formed Theatre Of Hate, which included bassist Stan Stammers, saxophonist John Lennard, guitarist Steve Guthrie and drummer Luke Rendle. During their first two years of existence, the band released a few studio singles as well as a live album, HE WHO DARES WINS. By the time the band entered the studio to work on their debut full length, Guthrie had departed and Brandon took over all guitar duties. With The Clash’s Mick Jones in the producer’s chair, TOH began work on what would become a milestone in Post Punk history – WESTWORLD! With a mix of tribal rhythms, Spaghetti Western riffs, Post Punk guitar slashing and Brandon’s passionate wailing, Theatre Of Hate was a band unlike any other. While the band was known for their live performances, they took on a different form in the studio. Pre-dating his Big Audio Dynamite recordings, Mick Jones brought a lot of his experimental ideas to the sessions, which worked extremely well with Brandon’s vision. The end result is still being talked about today…
While TOH folded in 1983 – making way for Kirk’s next project, Spear Of Destiny – their musical legacy lives on. The band has reformed with various line-ups over the years and are now making waves again with both a new album (KINSHI) and a deluxe three CD edition of WESTWORLD. This excellent reissue on Cherry Red includes a remastered version of the album alongside non-album singles, Peel Sessions, alternate mixes and a live concert taped during the WESTWORLD tour. Still sounding fresh and invigorating, this expanded edition is the definitive version of an album that helped pioneer Post Punk in the UK.
Stephen SPAZ Schnee sent off a few questions to Kirk Brandon, who was gracious enough to take the time to respond…

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By |November 17th, 2016|News|Comments Off on THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

JAH WOBBLE: An EXCLUSIVE Interview!

Invaders Of The Art:

From Post-Punk to Dub to Jazz and back to Dub again, there are very few musical genres that have not been touched by the genius that is Jah Wobble. Born John Wardle – and christened with his stage name by none other than Sid Vicious – Wobble has defied the odds and has remained one of the most innovative and forward-thinking musicians of the Rock era. He first came to prominence in John “Johnny Rotten” Lydon’s post-Sex Pistols outfit, Public Image Ltd. After a few years of knocking about and causing musical mayhem with Lydon & Co., Wobble struck out on his own. Working with artists such as The Edge (U2) and Holger Czukay and Jaki Liebezeit (Can), he was able to expand his resume while exploring new sounds and styles. During this period, Wobble also put together his own band, Invaders Of The Heart. By the end of the ‘80s and into the ‘90s, he had become one of the most respected British musicians of his generation – entirely unpredictable yet always riveting. With Invaders Of The Heart, Wobble was able to combine World Music, Ambient, Folk and Electronica, creating a sound that was both unique and commercially successful – not an easy feat for any artist. Scoring a hit album, RISING ABOVE BEDLAM, at the beginning of the ‘90s, was a little surprising but very welcome and well-deserved. With a line-up that has evolved over time, Jah and his Invaders Of The Heart have become one of the most exciting and inspiring musical outfits in modern music. One of the most prolific artists of his generation, Jah’s work with Invaders Of The Heart is only the tip of the iceberg. As a leader or collaborator, Jah Wobble’s catalog is as deep as the music he plays. A visit to www.jahwobble.com will catch you up to date.
EVERYTHING IS NO THING, Wobble and the Invaders’ 2016 release, takes the band into an exciting dimension – Spiritual Jazz. Produced by Youth and led by Jah’s warm and emotional bass playing, the album takes the listener to new and exciting levels of ecstasy. Anyone looking for Ambient, Dub or Post-Punk will not find them here. However, the attitude and excitement of those genres can be found lurking deep within the grooves of the album. Wobble’s never-ending musical journey means that he never makes a bad record. Spiritual Jazz may not be the direction some fans of “Visions Of You” may be expecting, but open your mind and you’ll most certainly enjoy the ride. This is not music that you’ll just listen to – it is music that you will feel.
Stephen SPAZ Schnee was able to toss a few questions over to Mr. Wobble, who kindly took time out to discuss EVERYTHING IS NO THING and much more…

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By |September 22nd, 2016|News, Uncategorized|Comments Off on JAH WOBBLE: An EXCLUSIVE Interview!

An Exclusive Q&A with Fischer-Z’s John Watts

WORLD-GO-ROUND:

An EXCLUSIVE Q&A with FISCHER-Z’s John Watts

 

   John Watts is one of those rare gems in the music business – a singer/songwriter who continues to reinvent himself with each release and yet manages to retain his unique musical vision. Like any good art, his past releases still ‘feel’ contemporary even though they were created at another moment in time. Best of all, his musical output has continued to reach new heights with each album – […]

By |August 1st, 2016|News|Comments Off on An Exclusive Q&A with Fischer-Z’s John Watts

An EXCLUSIVE Q&A with PETER BJORN AND JOHN’s Peter Moren

Nostalgic Intellect:

An EXCLUSIVE Q&A with PETER BJÖRN AND JOHN’S Peter Morén

    Swedish trio Peter Björn and John have created a musical universe that is constantly evolving. However, they’ve managed to retain their unique charm that made them press darlings a decade ago with “Young Folks”. What many didn’t realize is that that hit’s parent album, Writer’s Block, was the trio’s third in a career that has seen them stretch the boundaries of Pop music. While […]

By |May 27th, 2016|News|Comments Off on An EXCLUSIVE Q&A with PETER BJORN AND JOHN’s Peter Moren