ERIC STEWART: An EXCLUSIVE interview with the former 10cc member and Rock icon!

A SILLY PHASE I’M GOING THROUGH:

     It is quite possible that you have something by Eric Stewart in your music collection at this very moment without even realizing it. Eric was a member of Wayne Fontana & The Mindbenders, eventually singing lead on their 1966 hit “Groovy Kind Of Love” after Fontana had left the fold. By 1969, with the Mindbenders in his rear view mirror, Stewart was recording backing tracks for Bubblegum hits at his Strawberry Studios facilities. His recording mates included hit songwriter Graham Gouldman and multi-instrumentalists Lol Creme and Kevin Godley. In 1970, Stewart, Creme and Godley released the surprise hit “Neanderthal Man” under the group name Hotlegs. Two years later, American singer/songwriter Neil Sedaka arrived in the UK in hopes of recording new material and making a comeback. His backing band featured Stewart, Gouldman, Godley and Creme. Sedaka and this quartet of talented musicians recorded two albums together, both directly responsible for the enormous success that Sedaka and 10cc would achieve within a few short years.

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By |October 11th, 2017|News|Comments Off on ERIC STEWART: An EXCLUSIVE interview with the former 10cc member and Rock icon!

THE INMATES/The Albums 1979-1982 (3CD set) reviewed!

     In the late ‘70s, the Rock world was being turned on it’s head by Punk and New Wave. The pretentious ‘old guard’ (i.e. Prog rockers, Folk singer/songwriters, Pop stars, etc.) were
handed their walking papers by the press, who latched onto the shouty, belligerent Punk kids. By ’79, you were more likely going to read about the exploits of Sex Pistols, The Damned and The Clash before you’d stumble upon a review of ELP’s latest live gig. And by that time, reviews of ELP, Yes and the like were leaning towards scathing.
     However, while the press fell over themselves to discover the latest Punk craze, Pub Rock and British Rhythm & Blues was also a happening thing.  Dr. Feelgood were already established and Nine Below Zero were on their way to becoming legendary. While not always recognized as such, The Inmates were certainly one of the best of the Pub/R&B bunch (in fact, they still are!). With Cherry Red’s three CD box set, THE ALBUMS 1979-1982, The Inmates are finally receiving the credit and attention that they deserve. Containing the band’s first three studio albums (plus bonus tracks), this is a long over-due look at the band’s excellent early output.
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By |August 11th, 2017|News|Comments Off on THE INMATES/The Albums 1979-1982 (3CD set) reviewed!

HOWARD JONES/Best 1983-2017 (3CD) reviewed!

     While he  achieved a lot of chart success early in his career (1983 to 1989) and still tours and releases new music, Howard  Jones’ musical legacy has been somewhat overlooked since his heyday. While he certainly hasn’t been forgotten, he has become increasingly difficult to categorize… which is both a good and bad thing. He’s been labelled a Synthpop artist, a teen idol, a New Waver and an Electropop pioneer while also being  lumped into the Adult Alternative category. Some have even pointed out his Jazz-influenced  chord progressions and R&B leanings. In all honesty, Howard Jones is all of this and more.  And thankfully, Cherry  Red has just released the three CD BEST 1983-2017, which really  showcases Howard’s many talents. A set this comprehensive reminds the listener  that Howard Jones is much more than an “’80s relic”. He was never a one-trick  pony and this release backs that statement up.
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By |August 11th, 2017|News|Comments Off on HOWARD JONES/Best 1983-2017 (3CD) reviewed!

BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

     It has been 33 years since Bronski Beat arrived on the music scene with their remarkably emotional debut single “Smalltown Boy.” Jimmy Somerville’s soaring falsetto was quite a wonder to behold but the music performed by Steve Bronski and Larry Steinbachek was equally enthralling. Equally enchanting, the band’s debut album THE AGE OF CONSENT was Synthpop at it’s finest. Inspired by classic Disco and the Electronic Music scene that was sweeping the UK, the trio blended their influences into a wondrous brew. Add in their thought-provoking lyrics that focused on gay-related issues and you had a band that not only made you dance but also made you think. Surprisingly, in 1985, at the height of the band’s popularity, Somerville abruptly quit, leaving Bronski and Steinbachek to carry on without him. The following year, the band returned with new vocalist John Foster and released the Pop-errific sophomore album TRUTHDARE DOUBLEDARE. Although “Hit That Perfect Beat” and “C’mon! C’mon!” were hits, the album didn’t fare as well as their debut and the band left their label (London Records). Foster left the fold and Bronski and Steinbachek’s continued to work together throughout the rest of the ‘80s and into the ‘90s. They released their third album, RAINBOW NATION, with new vocalist Jonathan Hellyer and additional musical assistance from Ian Donaldson. However, the band quietly split in 1995 shortly after that album’s release.

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By |August 11th, 2017|News|Comments Off on BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

KASHIF/Help Yourself To My Love: The Arista Anthology review!

Kashif Saleem – formerly a member of Funk giants B.T. Express – was at the forefront of synth-fueled smooth R&B in the early ‘80s. He was one of the first artists to embrace modern technology when it came to creating Soul and Funk music yet he still managed to make it sound human and heartfelt. While his name may not be as well-known as many of his technology-loving contemporaries like Stevie Wonder, Kashif helped usher in a new kind of sound that changed the course of Soul and HELP YOURSELF TO MY LOVE: THE ARISTA ANTHOLOGY is all the proof that you need. Spanning the years 1983-89, this is ‘80s electronic Funk/Soul/R&B at its finest.

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By |June 9th, 2017|News|Comments Off on KASHIF/Help Yourself To My Love: The Arista Anthology review!

HAIRCUT 100/Paint And Paint (Deluxe Edition) review!

Haircut 100 was quite the band in 1982. Their debut album, PELICAN WEST, was the product of six very different personalities that came together to create one fantastic album. From Latin to Funk to Pure Pop, the album blended the band members’ musical influences perfectly. The thought that the album was created by a group of kids just barely into their 20s was quite astounding. Even today, that timeless album is just as thrilling as it was when it came out 35 years ago. The lads in H100 were in the midst of recording their second album when lead singer/songwriter Nick Heyward left to pursue a solo career. For a brief moment, it seemed like that was the end of the line for H100 members Marc Fox, Les Nemes, Phil Smith, Graham Jones and Blair Cunningham. Thankfully, the lads still had something to say…
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By |June 9th, 2017|News|Comments Off on HAIRCUT 100/Paint And Paint (Deluxe Edition) review!

THE ADVENTURES’ The Sea Of Love (Expanded Edition) reviewed!

The Adventures rose like a phoenix from the ashes of Irish Punk/New Wave band Starjets. Vocalist Terry Sharpe and latter-day guitarist Pat Gribben formed the Pop-oriented outfit (along with Pat’s wife Eileen, Spud Murphy, Tony Ayre and Paul Crowder) and released their debut album in 1985. Depending on which country you were in, the album was called THEODORE AND FRIENDS (in the UK and Europe) or THE ADVENTURES (in the U.S.). While essentially the same album, each version featured different mixes of the core tracks (“Send My Heart,” “Another Silent Day”, etc.) and different artwork. The album’s shimmering, glossy production accented Gribben’s melodic flair and Sharpe’s vocals. The addition of Eileen’s vocals added a nice depth to the harmonies, of which there were plenty on display. While the album received good reviews and they earned significant airplay on both sides of the pond, The Adventures didn’t achieve the success they so richly deserved.

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By |April 3rd, 2017|News|Comments Off on THE ADVENTURES’ The Sea Of Love (Expanded Edition) reviewed!

THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

ONCE UPON A TIME IN THE WEST(WORLD):

As the leader of British outfit The Pack, singer, songwriter and guitarist Kirk Brandon’s unique musical vision was far too adventurous to be constrained by the limits of Punk Rock so he folded that band and moved forward with new ideas. By 1980, he had formed Theatre Of Hate, which included bassist Stan Stammers, saxophonist John Lennard, guitarist Steve Guthrie and drummer Luke Rendle. During their first two years of existence, the band released a few studio singles as well as a live album, HE WHO DARES WINS. By the time the band entered the studio to work on their debut full length, Guthrie had departed and Brandon took over all guitar duties. With The Clash’s Mick Jones in the producer’s chair, TOH began work on what would become a milestone in Post Punk history – WESTWORLD! With a mix of tribal rhythms, Spaghetti Western riffs, Post Punk guitar slashing and Brandon’s passionate wailing, Theatre Of Hate was a band unlike any other. While the band was known for their live performances, they took on a different form in the studio. Pre-dating his Big Audio Dynamite recordings, Mick Jones brought a lot of his experimental ideas to the sessions, which worked extremely well with Brandon’s vision. The end result is still being talked about today…
While TOH folded in 1983 – making way for Kirk’s next project, Spear Of Destiny – their musical legacy lives on. The band has reformed with various line-ups over the years and are now making waves again with both a new album (KINSHI) and a deluxe three CD edition of WESTWORLD. This excellent reissue on Cherry Red includes a remastered version of the album alongside non-album singles, Peel Sessions, alternate mixes and a live concert taped during the WESTWORLD tour. Still sounding fresh and invigorating, this expanded edition is the definitive version of an album that helped pioneer Post Punk in the UK.
Stephen SPAZ Schnee sent off a few questions to Kirk Brandon, who was gracious enough to take the time to respond…

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By |November 17th, 2016|News|Comments Off on THEATRE OF HATE: An EXCLUSIVE Q&A with KIRK BRANDON

HAIRCUT 100: An EXCLUSIVE Q&A with guitarist GRAHAM JONES!

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 HAIRCUT 100 Revisited

Haircut 100’s debut album Pelican West remains one of the truly great albums of the ‘80s. Inspired by everything from Jazz and Latin music to ‘60s Pop and Post-Punk, the 1982 album was a breath of fresh air at a time when pretentious ‘Popstar’ posing was more important than making music. From Bob Sargent’s warm and crisp production and singer/guitarist Nick Heyward’s Pop smarts, to the inventive horn arrangements, Pelican West […]

By |March 25th, 2016|News|Comments Off on HAIRCUT 100: An EXCLUSIVE Q&A with guitarist GRAHAM JONES!

SPAZ reviews the two CD Collector’s Edition of former Kajagoogoo vocalist LIMAHL’s debut solo album!

LIMAHL

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Limahl is best known as the vocalist for ‘80s Teen Pop stars Kajagoogoo. While many bands take years to fall apart in the wake of their success, Kajagoogoo wasted no time a controversial line-up change. The band was still on their ascension with a few hit singles and an album in the charts […]

By |December 16th, 2014|News, Uncategorized|Comments Off on SPAZ reviews the two CD Collector’s Edition of former Kajagoogoo vocalist LIMAHL’s debut solo album!