HOWARD JONES/Best 1983-2017 (3CD) reviewed!

     While he  achieved a lot of chart success early in his career (1983 to 1989) and still tours and releases new music, Howard  Jones’ musical legacy has been somewhat overlooked since his heyday. While he certainly hasn’t been forgotten, he has become increasingly difficult to categorize… which is both a good and bad thing. He’s been labelled a Synthpop artist, a teen idol, a New Waver and an Electropop pioneer while also being  lumped into the Adult Alternative category. Some have even pointed out his Jazz-influenced  chord progressions and R&B leanings. In all honesty, Howard Jones is all of this and more.  And thankfully, Cherry  Red has just released the three CD BEST 1983-2017, which really  showcases Howard’s many talents. A set this comprehensive reminds the listener  that Howard Jones is much more than an “’80s relic”. He was never a one-trick  pony and this release backs that statement up. […]

By | August 11th, 2017|News|Comments Off on HOWARD JONES/Best 1983-2017 (3CD) reviewed!

BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

     It has been 33 years since Bronski Beat arrived on the music scene with their remarkably emotional debut single “Smalltown Boy.” Jimmy Somerville’s soaring falsetto was quite a wonder to behold but the music performed by Steve Bronski and Larry Steinbachek was equally enthralling. Equally enchanting, the band’s debut album THE AGE OF CONSENT was Synthpop at it’s finest. Inspired by classic Disco and the Electronic Music scene that was sweeping the UK, the trio blended their influences into a wondrous brew. Add in their thought-provoking lyrics that focused on gay-related issues and you had a band that not only made you dance but also made you think. Surprisingly, in 1985, at the height of the band’s popularity, Somerville abruptly quit, leaving Bronski and Steinbachek to carry on without him. The following year, the band returned with new vocalist John Foster and released the Pop-errific sophomore album TRUTHDARE DOUBLEDARE. Although “Hit That Perfect Beat” and “C’mon! C’mon!” were hits, the album didn’t fare as well as their debut and the band left their label (London Records). Foster left the fold and Bronski and Steinbachek’s continued to work together throughout the rest of the ‘80s and into the ‘90s. They released their third album, RAINBOW NATION, with new vocalist Jonathan Hellyer and additional musical assistance from Ian Donaldson. However, the band quietly split in 1995 shortly after that album’s release. […]

By | August 11th, 2017|News|Comments Off on BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

MODERN ENGLISH/Take Me To The Trees review!

If your only encounter with Modern English is “I Melt With You,” then you need to sit down, kids, because there is more to this British outfit than meets the ear. The band’s moody and artsy Post-Punk beginnings were a perfect match for 4AD, the label that released their first three albums. However, by the second album, 1982’s AFTER THE SNOW, the band had matured and were writing better songs, moving away from their dark past and gaining a lot more confidence in the process. That second album contained some of their best moments to date including “Someone’s Calling,” “Life In The Gladhouse” and, of course, “I Melt With You.” The latter song became one of the tracks that truly defined the ‘80s and became a blessing and curse for the band. Modern English next album, RICOCHET DAYS, was nearly as good as AFTER THE SNOW but did not contain a hit like “I Melt With You” and the band found itself falling out of fashion. Another album – STOP START – came and went and the band split. Over the years, vocalist Robbie Grey and various line-ups of the band have recorded and toured as Modern English, even releasing some very fine albums along the way, In 2010, four of the five original members – Grey, Gary McDowell (guitar, vocals), Michael Conroy (bass, vocals) and Stephen Walker (keyboards – reunited for a few tours and received a hero’s welcome by fans. Seven years on, have finally delivered TAKE ME TO THE TREES, the first studio album since 1984’s RICOCHET DAYS to feature these four core members. While the band wisely continues to avoid attempting to re-write “I Melt With You,” they certainly haven’t lost the desire to re-explore dark places with melodic flair. […]

By | May 22nd, 2017|News|Comments Off on MODERN ENGLISH/Take Me To The Trees review!

HAIRCUT 100: An EXCLUSIVE Q&A with guitarist GRAHAM JONES!

Favorite Shirts:  HAIRCUT 100 Revisited Haircut 100’s debut album Pelican West remains one of the truly great albums of the ‘80s. Inspired by everything from Jazz and Latin music to ‘60s Pop and Post-Punk, the 1982 album was a breath of fresh air at a time when pretentious ‘Popstar’ posing was more important than making music. From Bob Sargent’s warm and crisp production and singer/guitarist Nick Heyward’s Pop smarts, to the inventive horn arrangements, Pelican [...]

By | March 25th, 2016|News|Comments Off on HAIRCUT 100: An EXCLUSIVE Q&A with guitarist GRAHAM JONES!